Film Cameras and Gear

152 Lens, Accessory, and Camera Reviews

Lomo LC-A With Kodak Ektar 100
The Perfect Combo for the Tropics?
December 16, 2025
When reviewing my camera options for my upcoming trip to Nicaragua, I knew it needed to have three things: 1) Low enough value so that I wouldn’t worry about losing it. 2) Be able to easily fit in my pocket. 3) Capable of capturing high-quality images. And for the film, I knew I wanted something capable of capturing the vivid colours of a tropical country. I decided to take the Lomo LC-A — a classic Lomography lo-fi camera with Kodak’s high-resolution, high-saturation, fine-grained colour-negative film: Ektar 100.
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OKTO35: A Genius Invention for Making Movies on Regular 35mm Film
November 11, 2025
OKTO35 is a new motion picture camera, capable of shooting frames 25% larger than Super 8 at up to 25 frames per second on any standard 35mm (135) film cartridge. Better yet, it can shoot ultra-high-resolution films like the Adox CMS 20 II, infrared films like Aerochrome, orthochromatic films, and everything else made for still 35mm film cameras. OKTO35 can make shooting videos on film 90% cheaper than using a lower-res Super8 film, and it also makes scanning the film easy. This is an ongoing project by Blaž Semprimožnik.
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Asahi Pentax MX Film Camera Review
A Compact, Affordable, Fully-Mechanical SLR
October 30, 2025
Asahi Pentax MX is a compact mechanical SLR compatible with a vast array of affordable lenses. It’s small enough to fit in a pocket (with the right lens), and it’s built like a tank. But no camera is perfect, and so the MX has a few things you should know. In this review, I’ll cover the basics and known issues. I’ll also suggest a few compact mechanical SLR alternatives, should you like a faster shutter, an even more minimalist design, or a smaller profile (yes, that exists¹).
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Mamiya U — a Weird, Fun 35mm Film Camera With a Flaw
A Rare Whole Copy Appears
October 6, 2025
I came across my Mamiya U by chance back in 2020 while browsing eBay. Its unusual design — a square window cut out within a plastic semi-sphere for a round lens with a stark blue ring — screamed ‘80s Terminator chic. Unfortunately, every single copy sold had a disintegrated shutter button, amongst other issues. These cameras didn’t last, yet I still wanted one badly enough to stalk the market for over two years. Finally, in late 2022, I got an opportunity to purchase a mint-condition Mamiya U, which is the subject of this review.
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“Best Film Camera,” According to 142K Analog.Cafe Readers
September 23, 2025
This article examines a wealth of data to reveal what people want and surfaces the one camera that we use and enjoy the most. The info here is based on hundreds of thousands of reader visits to this blog (currently, it’s 142K/mo), as well as anonymized stats from interactive tools like the Best Film Camera Finder and the Film Log .
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Ricoh GR1/GR1s Film Camera Review
World’s Thinnest Camera — Is It Still Worth the Price in 2026?
September 9, 2025
Ricoh GR1s is a premium film point-and-shoot camera that features a sharp 28mm 𝒇2.8 lens, encased in a light, pocketable magnesium alloy body, and filled with some of the best mid-’90s technological advancements. In this review, I’ll take a deep dive into Ricoh GR1s’ features, build quality, lens quality, and the realities of buying, using, and owning one. I’ll also quickly compare the GR1s to the original GR1 and pin both against the world’s smallest full-frame camera, the Minolta TC-1.
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Zeiss Ikon Contaflex Super B Film Camera Review
It’s Cheap, It’s Hefty, It’s Weird, It’s Pretty, It Has a Beautiful Lens
July 15, 2025
Zeiss Ikon Contaflex Super B is an unusual but well-built camera that features a sharp, expressive lens. It uses relic technology, like a non-returning mirror box, but also features interchangeable film backs, a leaf shutter mount, and a 100% DOF viewfinder. It’s also very affordable.
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Micro-Nikkor 200mm 1:4 AI-S Lens Review
Affordable, Sharp, Versatile, Compact
July 2, 2025
The 200mm Micro-Nikkor AI-S 1:4 IF is a telephoto lens that can focus as close as 2⅓ feet (61cm) while reproducing a 1:2 image on film or a full-frame sensor. In this review, I’ll explain what this lens is for, how it came to be, and what its modern analog is. Expect lots of samples, a full recollection of what it’s like to shoot, and whether you should get one, too.
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RETO Pano Reusable 35mm Film Camera Review
With a See-Through Plastic Shell
June 23, 2025
RETO Pano is a new, affordable, reusable compact camera with an ultra-wide 22mm lens and an optional panoramic mask. Having put several rolls of film through the see-through plastic model, I am genuinely impressed with the value it delivers. In this review, I’m sharing all that is good, a few issues, and a shooting guide for better photos.
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Nikon SUPER COOLSCAN 5000ED Film Scanner Review
Small, Fast, Impeccable Colour, Batch Scanning — 23MP Scans in 20 Seconds!
April 15, 2025
Nikon Super CoolScan 5000 ED is Nikon’s fastest dedicated 35mm film scanner, manufactured in the early ‘00s and ‘10s. It is one of the few vintage devices that connects with modern computers via USB 2.0 without issues or modifications. In this long-term review, I’m taking a closer look at what it’s like to digitize film with this scanner and compare the results to other popular tools: PrimeFilm XAs, a professional film lab, and Sony a7III digital camera with a macro lens.
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VueScan Professional Film Software Review
A Scanner App & Driver for Legacy and Modern Film Scanners
March 11, 2025
VueScan is an app that works with over 7,400 scanners, many of which were manufactured over twenty years ago. After switching from SilverFast, which I felt was cumbersome, expensive, and frustrating, I’ve stayed with VueScan for over five years. In this review, I’ll go over the interface, capabilities, drawbacks, my workflow, and the reasons why I think VueScan is indispensable for any photographer who scans film at home.
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Nikon AI-S Nikkor 50mm 1:1.8 Lens Review
And Its Five Siblings
February 11, 2025
Nikon AI-S Nikkor 50mm 𝒇1.8 is a lightweight normal manual focus lens for Nikon F cameras. In this review, I’m sharing my experience with it on my Nikon FM2n and FE cameras, a bit of history, and identification for the SIX variants. Plus: my thoughts on whether the Nikkor is worth the extra ~$75 as compared to the cheaper Series E.
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Nikon FM2/FM2n Film Camera Review
With Honeycomb Titanium Shutter
January 14, 2025
This camera’s 100% mechanically powered titanium honeycomb shutter curtains can reliably sync with flash speeds up to 1/250s and fire at a bullet speed¹ of 1/4,000s when needed. The FM2 is one of Nikon’s longest-living SLRs: it remained in production for 19 years! This review dives deep into this camera’s pedigree and features.
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Rediscovering the Digicam With Pentax Optio E10

January 3, 2025
Digicams are making a comeback. To understand why, I read dozens of articles, spoke to the new digicam users and tried my hand with Pentax Optio E10, a nineteen-year-old six-megapixel camera. In this article, I’m digging a little deeper for reasons to use one today (including ways to do it better) and the trend’s relationship to the still-rising popularity of film photography.
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Nikon Series E 50mm 1:1.8 Lens Review
One of Nikon F’s Lightest, Most Compact, and Cheapest “Pancake” Lenses
December 30, 2024
Nikon Series E 50mm 𝒇1.8 is one of the most compact vintage Nikon F-mount lenses. The all-black version tested here weighs just 137g/4.8oz and protrudes about 2.5cm/.98” from the mount. Costing an average of $50 (depending on condition), it’s also an affordable one to try.
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Nikon F2 Film Camera Review
Nikon’s Last (Maybe Best) Mechanical SLR
December 3, 2024
Nikon F2 (i.e., Nikon F2 Photomoic with the Photomic DP-1 viewfinder prism) is a burly, pro-level SLR with an impressive history of being one of the most trusted cameras of its time. It is a sequel to Nikon’s iconic design, which went to space and deflected a bullet, saving a war reporter’s life. In this review, I’ll explain what makes this camera so good (and not so good), outline its historical context, and talk about shooting the F2 fifty-three years past its release.
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Nikon Nikkor 28mm 1:3.5 AI-S Lens Review
A Sharp, Well-Made Wide-Angle Lens for Under $100
November 7, 2024
The 28mm Nikkor AI-S is sharp, relatively distortion-free, it’s a pleasure to use, and it features a close focus of .3m/1’. In this review, I’ll cover the specifics of this 28mm wide-angle lens, retell its brief history, and share plenty of high-res scans, including an image (with an enlargement) shot on the highest-resolving photographic medium ever created.
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Minolta MD Zoom 35-70mm 1:3.5-4.8 Macro Lens Review
October 30, 2024
This zoom glass caught my attention for its incredibly light 189g/6.7oz frame and the apparent fact that it’s optically the same as the Leica Vario-Elmar-R 35-70mm 1:3.5. There’s also a version of this lens with macro capabilities that weighs a bit more but can focus at 33cm/13” with a 0.25x magnification factor.
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Nikon FE Film Camera Review
Zero Compromise for Purpose and Price
October 21, 2024
Nikon FE is an SLR with a delicate balance of features to accommodate portability, practicality, build quality, speed, and price. It is also built with exceptional attention to detail.
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Minolta MC TELE Rokkor-X 135mm 1:2.8 Lens Review
A Beautiful, Well-Built Portrait Lens for SR Mounts, One of 16 135mm Models
October 15, 2024
Minolta MC TELE Rokkor-X 135mm 1:2.8 is an affordable, well-built manual focus lens for Minolta SLRs. It has enough speed and focal length to capture fast action at a distance and bokehlicious portraits up close. One of the nicest lenses (by feel and looks) in my collection!
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