This release fixes an issue that crashed the web app for GOLD subscribers when visiting pages with tables of contents. Thank you, Liam and David, for reporting the issue, and sorry for the trouble!
I will be adding automated tests to make sure this particular problem doesn’t occur in the future.
Lomography has just released an updated “Sun-Kissed” version of Lomochrome Color’92 colour negative film.
While certain film emulsions remain constant for decades, films designed by brands like Lomography and Polaroid get updates about once a year.
Lomochrome Color’92 (analog.cafe/r/lomochrome-c…) was Lomography’s big release in 2023, with improvements to colour compared to the company’s first new colour film formula, Metropolis…
The leaves look pale because of the green filter. On black-and-white film, colour filters will increase the relative brightness of objects/subjects that match the filter’s colour. In the case of this photo, the green filter matched the leaves.
Pulling this film allowed me to shoot with my camera’s limited shutter speed and possibly helped retain some details in shadows/highlights. But it’s not required to get the white leaves…
Hi Dmitri, first of all thanks for your blog! I’ve decided to get back into film photography after trying it a few years ago and I’ve found your guides and articles incredibly informative and helpful in brushing up on my rusty photography knowledge.
Regarding this post, I love the muted look of the “pulled” photos here, and especially the next-to-last one — the foliage looks incredibly pale, which is great! Is it mostly due to the filter chosen, or does the “pulling” also contribute to that significantly? I…
The last 13 #website updates were focused on content and messaging around GOLD memberships. I’ve also added links to contact me in more places so it’s easier to get help in case something isn’t working.
Meanwhile, many small changes to numerous articles are being pushed this week. Some of them are typo corrections and updated links. But most notable are the new tables of contents blocks.
I’ve seen Google digest my tables of contents and display parts of them in the results. I’ve also noticed that TOC…
Thanks for the article, had one delivered yesterday.
You can set the date to 2024.
Just tell the camera it is one minute before midnight on 31st December 2019 and wait until it ticks over past that minute. The 2020s then become available and you can set the correct date.
Hi, I found this camera to be good for both cases. For landscape, I appreciated its wide lens and weatherproofing. For close-ups the brilliant finder was indispensable. If the repairs are possible and reasonable in price, I would attempt. At least you’ll know that if the camera isn’t to your liking after all, it’ll still hold value if you choose to sell it after.
Really enjoyed reading through here as I am planning on shooting my first roll of Phoenix through my FE soon and you got me wondering as im relatively new to the whole processing and developing part. Your samples shot at Iso 100, where they pull-processed or was it standard procedure ? From what I’ve understood is due to how Harman measured Phoenix at 123 ISO, it should do fine at normal procedure, right ?
I’m about to put my “new” (original purchaser) T4 Super D into service. I read an article on this or another website that made a convincing case for using cameras like this for close-ups or close-in scenes, and yet you used it for landscapes with decent results. I would appreciate your thoughts.
Circling back after a few more rolls and experiments. I think I prefer the binder method. Not only does it keep all the pages together and is easy to flip through, but allocating a sheet per roll falls apart in my case with unusual film lengths. I’ve been running a few experiments that yielded rolls of just a few exposures and other rolls that are longer than 36 (which is actually quite common).
Dmitri Edited
Dmitri
Dmitri
Dmitri
Dmitri
Dmitri
Dmitri
daxid
Jan Jakub Starzomski
Dmitri
Julian Zhong
Dmitri Edited
Dmitri
Andrew Thompson
Dmitri
Dmitri
Dmitri
Sillybilly Edited
Gary Heppell
Dmitri