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Kodak Vision 3 250D 5207/7207 Film Review
Shot as Stills and Developed in C-41
February 18, 2025
Kodak Vision 3 250D is a colour-negative film made for motion picture cameras. Its image quality is on par with Kodak Portra 400 and other colour-accurate fine-grained low-contrast emulsions when developed in ECN-2. But for this review, I’m processing it in C-41. I also compare my results to CineStill 400D, which has been claimed by many to be 250D w/o the remjet. (It is not.)
Kodak Vision 3 50D 5203/7203 Film Review
Shot as Stills and Developed in C-41
November 12, 2024
Kodak Vision 3 50D 5203/7203 colour negative film was designed for movie cameras. But in the mid-2010s, CineStill popularized its use in SLRs and rangefinders with a remjet-less version, the 50D. As the availability of ECN-2 developers increased, the original Kodak (non-CineStill) version of this film also began to gain popularity amongst us still photographers. In this review, I’ll cover all the technical specifications, share samples, and review the various ways of getting hold of and developing this film.
Kodak Vision 3 500T 5219/7219 Film Review
Shot as Stills and Developed in C-41
May 5, 2025
Though it has been designed for movies, this film sees strong popularity amongst still photographers for its tungsten-balanced colour palette, fine grain, high ISO, wide dynamic range, and great response to cross-processing. In this review, I’ll cover all the technical properties and creative possibilities of using the Kodak Vision 3 500T, compare it to CineStill 800T, and explain Kodak’s recent crackdown on the sales of this film to individual photographers.
CineStill 50D Film Review
Cinema Colour in a Little Blue Box
November 5, 2021
CineStill 50D is a relatively slow, fine-grained/high-resolution, colour-accurate negative film that shows prominent red halos around bright highlights. In this review, I share numerous samples made with this film (along with a downloadable high-res scan), explain its origins, cover technical aspects, and give a few exposure tips.
CineStill 800T Film Review
Kodak Movie Picture Film for Still Photographers
October 15, 2023
A high-speed, ultra-fine-grained tungsten-balanced colour film. This in-depth review includes loads of samples, detailed specifications (including pushing and pulling), advanced shooting tips, and the disambiguation of the recent controversy.
Where to Develop, Scan, and Print Film in Bali
May 2, 2025
Bali has quite a few film labs with a large variety of services offered by each. Here’s a non-exhaustive summary of the options, locations, prices, and notes of the labs we tried.
CineStill 400D Dynamic Film Review
A Versatile, Fine-Grained Colour-Negative Film, Available in All Formats
September 5, 2022
400D is a medium-speed, high-resolution film, that renders natural colour with a slight mint-green cast and the signature red halos.
How to Shoot CineStill 800T in Daylight
Make Better Photos With Tungsten-Balanced Colour Film
December 27, 2021
This short guide will help you get better colours out of your tungsten-balanced film with and without the 85C filter.
Film Ferrania Orto 50 Film Review
High-Contrast and Orthochromaticism (With and Without a Green Filter)
November 5, 2024
Film Ferrania’s Orto 50 is a newly reissued (2023)¹ orthochromatic black-and-white film by the famous Italian film factory. It features fine grain, high contrast, and blue light sensitivity (which makes it blind to the red colours). Orto 50 shares its fine grain, strong contrast, and some development times with Film Ferrania’s first product, P30 — but it’s not the same film.
Where to Develop Film in Chiang Mai
Eight Labs Listed With Sample Scans and Reviews
February 12, 2018
For a small city of a hundred thousand, Chiang Mai is remarkably well-equipped for film photographers. Should you need your lab to handle slide film, medium format, darkroom printing; or develop and scan within an hour; this article will help you find a place to go.

Kodak Vision 3 250D 5207/7207 Film Review

Shot as Stills and Developed in C-41

February 18, 2025

Kodak Vision 3 50D 5203/7203 Film Review

Shot as Stills and Developed in C-41

November 12, 2024

Kodak Vision 3 500T 5219/7219 Film Review

Shot as Stills and Developed in C-41

May 5, 2025

CineStill 50D Film Review

Cinema Colour in a Little Blue Box

November 5, 2021

CineStill 800T Film Review

Kodak Movie Picture Film for Still Photographers

October 15, 2023

Where to Develop, Scan, and Print Film in Bali

May 2, 2025

CineStill 400D Dynamic Film Review

A Versatile, Fine-Grained Colour-Negative Film, Available in All Formats

September 5, 2022

How to Shoot CineStill 800T in Daylight

Make Better Photos With Tungsten-Balanced Colour Film

December 27, 2021

Film Ferrania Orto 50 Film Review

High-Contrast and Orthochromaticism (With and Without a Green Filter)

November 5, 2024

Where to Develop Film in Chiang Mai

Eight Labs Listed With Sample Scans and Reviews

February 12, 2018