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Kodak Portra 400 Film Review
“World’s Finest Grain at 400 Speed”
December 15, 2022
Kodak Portra 400 is a premium colour-negative film with excellent colour reproduction qualities and outstanding dynamic range.
Kodak Portra 800 Film Review
Treat Yourself
May 13, 2023
Kodak Portra 800 is the most colour-accurate, widest dynamic range high-speed colour-negative film on the market. It’s not the cheapest, but if you want low-light sensitivity, resilience in high-contrast scenes, and realistic yet unmistakably analogue images out of your camera, this film is your best option.
Kodak Vision 3 500T 5219/7219 Film Review
Shot as Stills and Developed in C-41
May 5, 2025
Though it has been designed for movies, this film sees strong popularity amongst still photographers for its tungsten-balanced colour palette, fine grain, high ISO, wide dynamic range, and great response to cross-processing. In this review, I’ll cover all the technical properties and creative possibilities of using the Kodak Vision 3 500T, compare it to CineStill 800T, and explain Kodak’s recent crackdown on the sales of this film to individual photographers.
Kodak Aerochrome — a Colour IR Film Guide & Review
“The Most Expensive Film Money Can Buy!” 💸
February 25, 2023
Kodak Aerochrome is the only film of its kind — a false-colour infrared. This emulsion has been out of production for over a decade, and yet it’s still high in demand: as of this writing, a 24exp. 35mm film canister may cost you north of $250 or over $10 per frame.
Kodak Gold 200 Film Review
Now Available in Medium Format!
May 2, 2022
Throughout its 36-year history, this film was marketed as a cheaper alternative to Kodak’s professional portfolio films. This review explains why.
Kodak Gold 100/Kodak Bright Sun Film Review
An Affordable Expired Film Stock With Undeniably Warm Tones
September 7, 2024
Kodak Gold 100 is an affordable expired film. It features vivid, medium-saturation vintage colours with chunky grain and no significant tonal shifts despite most supplies having expired 10+ years ago.
Kodak UltraMax 400 Film Review
It ❤️ Loves the Sun and Doesn't Cost an Arm
June 11, 2023
Kodak UltraMax 400 is a medium-speed, fine-grained colour-negative film. It renders natural tones cheaper than Portra and much more accurately than most new emulsions. UltraMax may even be the most affordable ISO 400 colour film on the market.
Kodak Vision 3 250D 5207/7207 Film Review
Shot as Stills and Developed in C-41
February 18, 2025
Kodak Vision 3 250D is a colour-negative film made for motion picture cameras. Its image quality is on par with Kodak Portra 400 and other colour-accurate fine-grained low-contrast emulsions when developed in ECN-2. But for this review, I’m processing it in C-41. I also compare my results to CineStill 400D, which has been claimed by many to be 250D w/o the remjet. (It is not.)
Kodak Vision 3 50D 5203/7203 Film Review
Shot as Stills and Developed in C-41
November 12, 2024
Kodak Vision 3 50D 5203/7203 colour negative film was designed for movie cameras. But in the mid-2010s, CineStill popularized its use in SLRs and rangefinders with a remjet-less version, the 50D. As the availability of ECN-2 developers increased, the original Kodak (non-CineStill) version of this film also began to gain popularity amongst us still photographers. In this review, I’ll cover all the technical specifications, share samples, and review the various ways of getting hold of and developing this film.
Kodak Portra 160 Film Review
Accurate Colours for Portraits and Landscapes; Pastels for Fun
July 18, 2022
A film that can create beautiful images in various styles and settings but won’t tolerate messy exposures.
Kodak Pro Image 100 Pushed +2 Stops to EI400
While Extreme Couponing With Flair Air
August 6, 2024
Kodak Pro Image 100 was sold exclusively in Asian and South American markets until recently. It may be my favourite colour-negative film. In this article, I recall the story of my hectic trip across Canada and the learnings from developing this ISO 100 film as if it were an ISO 400 film.
Kodak Ektachrome 200 (Daylight) Expired Film Review
Results With E-6 and X-Pro Devleopment
October 14, 2023
If you’re looking for an excellent expired slide film in ISO 200 that also looks good cross-processed, this is the one to get.
How to Shoot CineStill 800T in Daylight
Make Better Photos With Tungsten-Balanced Colour Film
December 27, 2021
This short guide will help you get better colours out of your tungsten-balanced film with and without the 85C filter.
Fujifilm 400 Color Negative Film Review
An Unexpected Alliance With Kodak. Is This Just Ultramax?
January 21, 2025
Fujifilm 400 Speed Film is a new offering by a Japanese manufacturer made in the USA. It is a replacement for their earlier made-in-Japan Fujicolor Superia X-Tra, which, at some point, used a fourth cyan-sensitive colour layer to produce better tonality in mixed lighting—a technology famously used in their legendary Fijicolor Pro 400H emulsion. In this review, I’ll examine this film’s origins and technical and visual properties. I will also discuss how it may be the same as and different from the Kodak Ultramax 400.
CineStill 800T Film Review
Kodak Movie Picture Film for Still Photographers
October 15, 2023
A high-speed, ultra-fine-grained tungsten-balanced colour film. This in-depth review includes loads of samples, detailed specifications (including pushing and pulling), advanced shooting tips, and the disambiguation of the recent controversy.
Testing the New Cinema Shorts 50D and 250D Films
August 8, 2024
50D and 250D are cinema’s most technologically advanced photochemical products, with ultra-fine grain and flattering, flexible colour reproduction. Cinema Shorts are these same emulsions re-packaged from movie reels (the only way Kodak distributes this film) into recycled metal 35mm film canisters. In this article, I’m sharing a few of my first Cinema Shorts test shots (all developed in standard C-41 chemicals at home).
Lomography Color Negative 800 Film Review
A Portra in Disguise?
October 18, 2024
Lomography Color Negative 800 film is a high-speed medium-high saturation film sold in triple packs of 35mm and 120 rolls. It features accurate colour reproduction and fine grain. Though Lomography does not reveal the exact origins of this film, it’s most likely manufactured by Kodak — but it’s not the same as Portra 800 — as the controlled experiments suggest.
Lomochrome Color’92 Pushed +2 Stops to EI1600
In Sun-Drenched Montréal
August 7, 2024
In the shade, the temperature hovered at 33℃/92℉, whereas the sun-lit stone that garnished sidewalks could quickly cook an egg. It felt better to hide under a tree, underground, or under the cover of night skies. To get all that on one roll of Lomography’s new Lomochrome Color’92, I decided to push it +2 stops until it became an ISO 1600 film. These are the samples, thoughts, and advice after the fact.
All the C-41 ISO 800 Colour Films, Compared
Portra 800 vs. FunSaver 800 vs. Lomo 800 vs. Aurora 800
June 24, 2024
There’s seemingly some choice when it comes to high-speed daylight-balanced colour-negative film. But is it all branding? We compare all the ISO 800 films we could find side-by-side to see if there’s any actual difference once developed and scanned.
GOLD
Fujifilm Fujicolor PRO 400H Film Review
Discontinued but Not Forgotten
September 27, 2024
Fujifilm Fujicolor Pro 400H is a pro-grade colour negative film with excellent dynamic range and unique colour reproduction thanks to its fourth colour layer. In this review, I’ll cover my experience with this film in 35mm and medium format, share a few samples, and discuss its technical properties.