All of Film and Darkroom, Page 6

124 Stories, Experiments, Workflows, Reviews

Kodak Ektachrome
A Re-Introduced Classic Film
December 6, 2018
Back in the day, when I shot the original Kodak Ektachrome, it felt special. It wasn’t an “everyday” stock; I took more time with my photography when it was loaded in the camera. Other than the cost, its bold colors, sharpness, and fine grain placed it apart from other film.
Save
From Film to Digital, and Back Again
December 4, 2018
I remember waking up the day after they bought it [the camera] for me, rushing over to it, grabbing it and staring at it as if it were about to disappear. I remember mentioning to my parents that I was under the impression it might have been a dream.
Save
California Desert, Polaroid Style
Instant Results in Palm Springs and at Joshua Tree With a Polaroid 600
November 27, 2018
The magic of instant film begins the moment you press the oversized shutter button on the Polaroid camera. The distinct noise is apparent immediately, and this is followed by the sound of a soon-to-be-seen picture making its way along rollers toward the front of the camera, where it will be removed.
Save
Old Film and Life
November 23, 2018
My musings on shooting Fotokemika’s Efke KB 100, ORWO, Svema, Tasma, Atrivu, and Kodak Panatomic-X films.
Save
Medium Format Rookie
My First Roll With Yashica Mat Twin-Reflex
November 13, 2018
This is my first ever roll of medium format film, shot over the course of a year in London. The enormous delay between opening the shutter and seeing the result a year later has been a very strange experience to me, as I used to get instant gratification (or not) from a direct flash of bright pixels.
Save
An Eight-Week Tryst With Black-and-White Film
November 9, 2018
Ilford HP5, pushed to 1600. . . Seeing their results in a full, contrasty, grainy glory made me fall out of love with colour- and into a winter affair with black-and-white film. Upon graduating from university, I found myself working a temp job in retail over the winter.
Save
My Love for Film
October 2, 2018
Family photo albums. I’m pretty certain this is where my love of film began. As I take notes for this article I leaf through albums and old family photographs. My parents were constantly taking pictures and making books out of them. I love this tangible aspect of photography.
Save
Through the Green Fuse
Beyond Cameras, Lenses, and Computers
April 24, 2018
Through the Green Fuse is a portfolio of images that I created as an interpretation and celebration of the design of being, and through them, to enhance my understanding of its nature. Nineteen years ago I felt the need to explore photographic processes beyond both traditional and innovative uses as the means to advance my self-expression.
Save
Where to Develop Film in Chiang Mai
Eight Labs Listed With Sample Scans and Reviews
February 12, 2018
For a small city of a hundred thousand, Chiang Mai is remarkably well-equipped for film photographers. Should you need your lab to handle slide film, medium format, darkroom printing; or develop and scan within an hour; this article will help you find a place to go.
Save
Redscale Film
How Does It Work and How to Make One Yourself
February 6, 2018
This mini-guide explains how redscale film works and how to make your own redscale film. All you need is scissors, tape, and a dark room (most bathrooms will do). My wife introduced me to practical film photography through Lomography six years ago when we were just starting to date.
Save
Gifts
My Fondness for Film
January 23, 2018
I’m holding a roll of film in my hand that just got ejected from my camera. There are three more at the lab. Another two canisters with monochrome emulsion waiting to be exposed through the new yellow filter. I can’t remember most of the shots that I’ve captured, except for some that I keep on thinking about, picturing how they may turn out.
Save
Why Shoot Film
October 23, 2017
I bought my first film camera five years ago as a 17th birthday present to myself. I saved up my money and walked to a little old and dusty Kodak shop and bought myself a Nikkormat FT2 with a 50mm lens. A tall, skinny, old man owned the store and kept me there for a few hours to show me how it worked. He compared the sound of the shutter with some of the less well-kept cameras so I could identify if it started to wear in the future. He also showed me how to use the light meter, and changed the battery for me.
Save