All of Film and Darkroom, Page 2

129 Stories, Experiments, Workflows, Reviews

Kosmo Foto Agent Shadow 400 Film Review
Tested at ISO 6400 and Box Speed in Various Developers, Featuring My Impossibly-Cute Puppy!
September 25, 2024
I was one of the project’s original backers, which gave me a chance to buy a “Briefcase Box” pack with five rolls and a delightful graphic novel by My Mate Does Art. Alas, by the time I got to writing this review, the film was no longer available for sale. Not even on eBay. So this review is more of a retrospective, useful to those who still have a roll somewhere. This film is said to be technically identical to Kentmere 400, so you can try the tricks in this article with that film for similar results.
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Agfa Ortho 25 Expired B&W Film Review
Also Available Fresh as Rollei Ortho 25
September 16, 2024
Agfa Ortho 25 is the vintage predecessor to the modern Rollei Ortho 25 — a fine-grained, slow-speed orthochromatic film for black-and-white photography. In this review, I’ll share a brief history of this emulsion, explain its technical properties, and share some results along with my opinions about using and developing this film more than twenty years past expiration.
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Kodak Gold 100/Kodak Bright Sun Film Review
An Affordable Expired Film Stock With Undeniably Warm Tones
September 7, 2024
Kodak Gold 100 is an affordable expired film. It features vivid, medium-saturation vintage colours with chunky grain and no significant tonal shifts despite most supplies having expired 10+ years ago.
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Testing the New Cinema Shorts 50D and 250D Films
August 8, 2024
50D and 250D are cinema’s most technologically advanced photochemical products, with ultra-fine grain and flattering, flexible colour reproduction. Cinema Shorts are these same emulsions re-packaged from movie reels (the only way Kodak distributes this film) into recycled metal 35mm film canisters. In this article, I’m sharing a few of my first Cinema Shorts test shots (all developed in standard C-41 chemicals at home).
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Lomochrome Color’92 Pushed +2 Stops to EI1600
In Sun-Drenched Montréal
August 7, 2024
In the shade, the temperature hovered at 33℃/92℉, whereas the sun-lit stone that garnished sidewalks could quickly cook an egg. It felt better to hide under a tree, underground, or under the cover of night skies. To get all that on one roll of Lomography’s new Lomochrome Color’92, I decided to push it +2 stops until it became an ISO 1600 film. These are the samples, thoughts, and advice after the fact.
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Kodak Pro Image 100 Pushed +2 Stops to EI400
While Extreme Couponing With Flair Air
August 6, 2024
Kodak Pro Image 100 was sold exclusively in Asian and South American markets until recently. It may be my favourite colour-negative film. In this article, I recall the story of my hectic trip across Canada and the learnings from developing this ISO 100 film as if it were an ISO 400 film.
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Seaside Camping With Fujifilm Fujichrome Provia 400
Making the Best of a Very Expired Slide Film
August 3, 2024
Fujichrome Provia 400 is the first in Fujifilm’s series of exceptional high-speed slide films. It was made in the late ‘90s/early ‘00s. Being the first of its kind, Provia 400 did not boast the fine grain of the 400X (RMS 8 — exceptionally small!) nor did it feature the fine colour reproduction and dynamic range of the 400F. But it was very close in quality and looks to those films.
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Lomography Fantôme Kino 8 Film Review
A Slow Black-and-White Film for Sunny Bokeh, High Contrast, and Fine Grain
July 8, 2024
Lomography Fantôme Kino 8 is a low-ISO black-and-white motion picture film sold in 35mm only. This film shows exceptionally fine grain, which it typically renders in high contrast. I was able to get very natural-looking images out of it when I developed it at home with my solution of Rodinal 1+50. This film has also taught me things I’ve never expected about my old Ultron lens.
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All the C-41 ISO 800 Colour Films, Compared
Portra 800 vs. FunSaver 800 vs. Lomo 800 vs. Aurora 800
June 24, 2024
There’s seemingly some choice when it comes to high-speed daylight-balanced colour-negative film. But is it all branding? We compare all the ISO 800 films we could find side-by-side to see if there’s any actual difference once developed and scanned.
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Harman Phoenix 200 — New Colour Film Review
The Most Important Film Photography Product of 2024
June 8, 2024
Harman Phoenix 200 is the most important film photography product of 2024. It opened the doors to a new colour film facility at a British factory which has been continuously supplying us with photochemistry for over 140 years.
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Polaroid Go Film Review
June 3, 2024
Polaroid Go instant film packs include two perfectly miniaturized Polaroid I-Type/600 film cartridges — with the emulsion and frame materials faithfully replicated. They’re smaller (which makes them cheaper) but the choice of cameras that can take advantage of this format is limited.
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Developing Film in Cannabis
Test Results and Recipe
April 20, 2024
In this article, I’ll share the results from my new Sativa Cannanol film developer, along with a recipe so you can make it at home. You’ll also see how this cannabis-based extract stacks up against a commercial developer and various phenol-based solutions, like coffee, moss, fir, cedar, blood, pond water, EpiPen, and pee. You will also learn about various ways to make and improve your own organic homemade developer.
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ORWO NP20 for Agfa Rapid/SL Cameras
Experimenting With Expired Black and Whtie Film in an Extinct Mini-Format
March 8, 2024
ORWO NP 20 is a panchromatic black-and-white film that was discontinued decades ago. The batch I’m testing expired in 1992 — thirty-two years ago! What I have here is the elusive “SL Kassette” format designed specifically for certain miniature half-frame cameras.
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Film Ferrania P30 Film Review
The Most Recognizable Black-and-White Film Stock
February 26, 2024
Film Ferrania P30 is an ISO 80 panchromatic black-and-white film sold in 35mm and 120 formats. It’s known for its recognizable strong contrast and ultra-fine grain.
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Amber T800 Film Review
Is It as Good CineStill 800T?
December 22, 2023
In this review, I’m comparing Amber T800 to CineStill 800T (in terms of image quality, price, and shooting experience), discussing reasons for its existence, and giving you my thoughts on whether it’s a suitable CineStill alternative.
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Harman Phoenix 200 vs. Ilford Ilfocolor 400
Comparing Two New “Ilford” Colour Films
December 18, 2023
Did you know that there are TWO “Ilford” brands, and both of them have recently begun selling colour film? This article explains everything and compares the emulsions in depth.
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Kodak Gold vs. ColorPlus
Side-by-Side Comparison
November 23, 2023
Our extensive tests revealed no significant difference between the two emulsions. But there’s a slight nuance you may like to know about.
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How to Choose Black-and-White Film for Photography
Looks Can Be Deceiving
November 17, 2023
10 principles for selecting black-and-white film. Some of which may contribute to your final results in unexpected ways.
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How Motion Picture Film Is Duplicated and Distributed
A Pure Analogue Movie-Making Process vs. Digital Intermediate Workflows
October 24, 2023
The traditional film finishing and distribution process, how it compares to modern hybrid workflows, and what that means for film lovers & photographers.
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CineStill 800T Film Review
Kodak Movie Picture Film for Still Photographers
October 15, 2023
A high-speed, ultra-fine-grained tungsten-balanced colour film. This in-depth review includes loads of samples, detailed specifications (including pushing and pulling), advanced shooting tips, and the disambiguation of the recent controversy.
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